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The producer who thinks they can raise the finance for it, but just not the amount it’s going to cost to make and who wants you to cut half the locations and characters. The agent that knows a producer that’s looking for something a bit like this if you could just change it from a drama to a horror movie. The development assistant or script reader looking to filter out all the bad stuff but also worried about missing ‘the next big thing’.
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From family and friends who read the earliest draft, through to the location manager who thinks you can easily switch your park for a diner and it won’t matter (it will), they’ll all have something to say about your script.Īnd most people reading your script will have a particular angle on it.
#Love dont cost a thing movie script professional#
So how do you hold tight to your vision of the script without becoming so intransient that no-one will hire you? Director Lexi Alexanderīeing a professional screenwriter is not for the faint-hearted because everyone, and I mean everyone, will have an opinion on your work. The script development process might feel like a solo effort while you’re happily ensconced in your attic, lovingly crafting your spec script with little more than a ‘meow’ from your cat for days.īut it takes an army of people to turn your script into a work on screen that audiences will engage with, which means that making screenwriting your career is all about being able to collaborate with others throughout a professional script development process.